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【合作夥伴觀點-視覺設計師陳允中】

剛退伍上台北的時候,轟鳴才剛...

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【合作夥伴觀點-視覺設計師陳允中】

剛退伍上台北的時候,轟鳴才剛要推出第一張單曲《突然決定去泡溫泉》,那時候堂軒特地跑來找我想要請我幫忙,對於當時戶頭剩下三位數的我來說事實上是很艱難的事情。但是所有的人都對這個潛力十足的樂團抱著很高的期待,說什麼都不想錯過這個能成為這個場景的一部分的機會,不問預算的情況下就答應了,但前提是希望能給我很大的空間,後來他們也確實做到了。

這一路上走來事實上是轟鳴在帶著我成長的,有很多階段性的畫面都有他們的影像,我所有最大的突破都是建立在這個樂團上面,只有他們可以任憑我恣意撒野。甚至當我又重新開始玩團時也受到他們很多照顧,直到現在我還是充滿感謝。

不過我職業生涯中幾個最大的缺憾也是轟鳴,舉個例子:《登鸛雀樓》那張專輯的彩色漸層實際上原本應該是要燙雷射膜的,但因為成本太高樂團無法負荷所以才沒做,就連我說貼錢來做也不肯,後來有很多人當面稱讚的時候我的心都在淌血~~~~;還有,《你是豬排》那張的刺繡布章封面有些人沒有看出來是合成的,當然本來應該是要真的刺繡再翻拍,但依然因為製作成本高昂又被樂團打槍,我要自掏腰包又被拒絕了。也就是說我跟轟鳴的合作關係根本就像是一群搶付帳的大人,而我每次都搶輸(醜哭),跪求歌迷們可以用鈔票把他們所有庫存都下架,然後再版時我會用生命(與金錢)來要脅他們讓我做豪華版。

從這點來看我其實才是全台灣最希望巨大的轟鳴成功的人,自私的希望他們獲得更多的資源來成就我藝術造詣上的里程碑。當然,直到目前為止他們給我的空間也玩得很盡興了,多餘的感謝我會放到之後的作品上來表達,祝福轟鳴在休息之後可以累積更多的能量,帶上我繼續向前邁進。

zen yun zon

作品連結:https://www.facebook.com/media/set/…

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01/04 台北 小地方展演空間【加場】
https://www.indievox.com/apamini/event-post/19056

01/06 高雄 LIVE WAREHOUSE
http://tickets.books.com.tw/progshow/03110101258368

01/07 台北 小地方展演空間
===Sold Out===

01/08 台中 Legacy 傳 音樂展演空間
https://www.indievox.com/legacytc/event-post/18964

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More Info:www.giganticroar.com


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成團於2012年春天,秋天旋即解散。 那年,莫名其妙萬念俱灰的主唱說: 「大家不要玩團了,回家好好做人。」 從此成為一個流傳於台北樂團圈少數人口中的美談。 2013年夏天,做了半年的人,我們又不沮喪地跑出來了,帶著跟溫泉、 女友、青蛙與台語發音的蛇相關的歌曲跑出來了。 我們的現場很好看。哇靠,很好看。 「這個團,到底是什麼也許大家都還不是很明白,但最明白的是這些都將成為留在你耳朵裡巨大的轟鳴。」 來自 八十八顆芭樂籽的強尼 這樣描述我們,但是到底甚麼是巨大的轟鳴?應該也不是太吵的那種,不會讓你留下甚麼生理後遺症。有人擔心我(們)都怪有點噁噁的, 但是你可能懂我(們)在噁甚麼,所以你必必必定會喜歡我們。 60's psych-jams, funked-up grooves and some garage-punk thrown in for the hell of it! Kaohsiung's The Gigantic Roar has selected a moniker that is very apt in describing their sound. No, it's not a bunch of screaming, guttural vocals and distorted guitars, but rather a seamless melding of 60's psychedelia, 70's era funk and 90's revivalist garage/punk/blues which results in a huge, cohesive 'roar'. Citing influences such as The Doors and Jon Spencer Blues Explosion, this young group has made quite a splash over the course of their brief existence. Playing their first gig when they were still high school lads, they immediately proved themselves to be musically mature beyond their years. This maturity has already allowed them to be invited to every major music festival in Taiwan including the Formoz, Megaport and Rainbow Bay Festivals. Vocalist/rhythm guitarist Leo has tremendous poise, charisma, magnetism and confidence onstage. Try to imagine Robert Plant, Jim Morrison and James Brown all morphed into one person, and you will get an idea of what he is all about. The music itself is riff-based, often utilizing a basic blues progression augmented with lead guitarist Tim's atonal, jazz-flavored chord structures. The rhythm section is comprised of Sam, a classically-trained pianist-turned drummer who absolutely destroys the kit, and bassist Birdy, who drives the songs with very melodic, complex bass lines. The Gigantic Roar is a rarity amongst Taiwanese indie bands for a number of reasons: their musical knowledge and tastes are far removed from what the average musician here appreciates, they refuse to follow any established trends in local music (post-rock, punk, indie-pop), and their lyrics are intelligent, humorous, ironic and twisted all at the same time. Their two-song EP "Suddenly Decided To Go To A Hot Spring" only hints at what this band is capable of in a live setting. I urge you to check them out, at least for wont of something different from the norm. Don Quan, The Mercury Bar 試聽連結: www.indievox.com/giganticroar
港都怪人騎乘藍調,一雙臭手操弄龐克,老派新鮮的高雄生猛搖滾樂團。 ?
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